Two Chicago exhibitions, Dispossessions in the Americas and Dancing the Revolution, opened recently, showcasing themes of liberation and cultural identity. The exhibitions are hosted at Wrightwood 659 and the Museum of Contemporary Art Chicago. Together, they address the impacts of colonialism and celebrate collective joy through art.
Exploring Dispossessions in the Americas
At Wrightwood 659, the exhibition Dispossessions in the Americas features over 40 works that critique the dispossession caused by European colonialism since the 16th century. The exhibition opens with a haunting video performance titled “Coro de plantas extintas” by Ecuadorian artist Saskia Calderón, mourning the loss of endangered and extinct plant species.
The works in this exhibition range from poignant reflections on colonial deprivations to more critical engagements that challenge the consequences of these historical actions. One notable piece is “Burial Pyramid” (1974) by Cuban artist Ana Mendieta, which captures the artist's intimate connection with the earth through a powerful three-minute Super 8 film.
Celebrating Cultural Joy in Dancing the Revolution
In contrast, Dancing the Revolution at the Museum of Contemporary Art Chicago celebrates cultural joy through dance and music. The exhibition features a karaoke installation, “Karaoke El Nuevo Horizonte” (2014/25) by Puerto Rican artist Radamés “Juni” Figueroa. Visitors are invited to participate by singing popular Caribbean genres during the museum's free hours.
