‘3 Weeks After’ Director Miroslav Terzić Addresses Peer Violence and Suicide Conversations in Serbia

In an interview on July 6, 2026, Miroslav Terzić, the director of the film 3 Weeks After, discussed the pressing issue of peer violence and the delayed conversations surrounding suicide in Serbia. The film, written in 2023, was influenced by a tragic mass shooting at a Serbian school, highlighting the grim reality of such events.

Understanding Peer Violence in Serbia

Terzić's film aims to shed light on the everyday peer violence that often goes unnoticed. He emphasized the importance of recognizing these issues before they escalate into more severe tragedies. “It was terrible when you realize what you are writing, it’s happening somewhere right now — it’s not a film, it’s real life,” Terzić stated, reflecting on the film's genesis during a time of crisis.

The narrative of 3 Weeks After is not just a story; it serves as a call to action for society to address the underlying problems contributing to violence among youth. Terzić hopes the film will inspire viewers to engage in conversations about mental health and the need for timely interventions.

The Impact of Delayed Conversations on Suicide

In Serbia, discussions about suicide often occur too late, according to Terzić. He believes that societal attitudes toward mental health need significant changes. “We don’t notice the fire,” he remarked, highlighting the need for proactive measures in addressing mental health issues among young people.

By tackling these themes, 3 Weeks After aims to foster a deeper understanding of the challenges faced by youth today. Terzić's perspective sheds light on the cultural stigma surrounding mental health, which often results in a lack of support for those in need.

Collaborative Efforts in Film Production

The film was co-produced by a diverse group of countries, including Serbia, Bulgaria, Italy, Croatia, and Luxembourg. This collaboration reflects a broader European commitment to addressing social issues through art. The international nature of the project allows for a multifaceted approach to storytelling, bringing various cultural insights into the conversation.

As the film prepares for its release, Terzić hopes it will resonate with audiences and spark necessary discussions about violence, mental health, and the importance of community support. The film's impact could extend beyond entertainment, potentially influencing policy and societal attitudes toward these critical issues.