Backrooms, the breakout film from A24, has generated over $350 million globally as of Sunday, just 37 days after its theatrical release. This remarkable achievement makes it A24's highest-grossing film ever, outpacing established franchises like Star Wars and becoming a staple in the summer box office.
Record-Breaking Performance in Key Markets
With a current global gross of $357 million, Backrooms has set new records in various countries. In China, the film is close to reaching $15 million, having earned $4.7 million over the weekend with only a 12% decline from its opening. Similarly, in France, it has surpassed Marty Supreme to become A24's top film, experiencing a modest 22% drop.
Other significant markets include Russia, Poland, and Thailand, where it holds the title of A24's highest-grossing film. In Germany, ticket sales increased by 5% weekend over weekend, totaling $1.1 million, while Taiwan reported a 26% decline, with a cumulative $2.5 million.
International Success and Audience Reception
Backrooms has resonated well with audiences, achieving significant milestones across various territories. In Belgium and Luxembourg, it surpassed 1 million euros, while its gross in the Netherlands only dropped 9% from the previous weekend. Overall, the film has accumulated $4 million in the Benelux region.
This success follows the breakout of Curry Barker's Obsession, which has grossed $403 million globally. Director Kane Parson, known for his viral Backrooms shorts, is now recognized as a leading filmmaker.
Future Prospects for A24 and Kane Parson
The continued success of Backrooms positions both A24 and Kane Parson for future opportunities in the film industry. As audiences embrace unique and original content, the potential for further projects that capture similar themes and narratives seems promising.
- Global gross: $357 million
- China earnings: nearly $15 million
- France earnings: surpassing Marty Supreme
- Germany increase: 5% weekend over weekend
- Benelux total: $4 million
🤖 This article was rewritten by Feed and Figures' editorial AI from a report originally published by Hollywood Reporter. Facts and quotes are preserved from the original; the rewrite focuses on clarity and structure. For the unedited original, see the source link below.
